Fisticuffs
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| - | '''Fistifuffs''' ''k.'' '''1.''' Ceremonial dance enacted prior to a reformatting of the inherent structure. '''2.''' A means of achieving an end, where an end is about achieving means. '''3.''' Final sequence in [[The Night of a Bit of Lunacy]] ritual, and as such celebrated amanuensically by ''the making of shears''. '''4.''' Violent engagement rendered as a symbolic advancement-utility device, i.e. the elaboration of sleep activity. | + | [[Category:Ritual and Ceremony]]<table width="100%" border="0" align="right" cellpadding="4" cellspacing="0"> |
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| + | '''Fisticuffs''' ''k.'' '''1.''' Ceremonial dance enacted prior to a reformatting of the inherent structure. '''2.''' A means of achieving an end, where an end is about achieving means. '''3.''' Final sequence in [[The Night of a Bit of Lunacy]] ritual, celebrated amanuensically by ''the making of shears''. '''4.''' Violent engagement enacted as a symbolic advancement-utility device, i.e., the elaboration of sleep activity. '''5.''' A flurry of blows shared between two or more parties, rendered artfully and worthy of praise, another round of drinks, and the attention of women. | ||
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| + | == Extrapolation == | ||
| ---- | ---- | ||
| + | [[Stimso Adid's]] sleepwalking oratorium, experimentally launched in New York in 1934 and interpreted by cartographer [[Mazzistow Carrington]], {{Template:Hands}}was used to predict the [[Geomachy|geomantical]] location, but not the purpose or chronological spacing of this rarest of [[AA]] ceremonial ritual. Though the exact location and time were supplied to members of the group, incidents of the ritual rarely adhered to these predictions,instead they had a tendency to erupt accidentally, such as the famous anecdote told by [[William Flintrock|Flintrock]], as reproduced below: | ||
| - | == Extrapolation == | + | : "''He had on this incredible hat and by incredible I really get to the root -- it was beyond reckoning. First, it was several times the natural size of his own head, fitted perfectly because he'd tightened the band with an amount of balled toilet paper. It looked like he was gonna launch something from his brow but the rocket instead languished. He couldn't walk through a crowded bar with it. It was way too fucking large -- creasing unwary foreheads, spilling drinks, it took an additional urinal when he pissed. He insisted it have it's own seat, it's own bar tab. So yeah, he'd managed to dent a few brows -- and, apparently, he wasn't keen on being cool about it. So, [[Alexandre Dacusse|Alexandre]] called him out. It was this calling out which resulted in the mess that followed -- words so simple became a complex dance that was about as complex as preparing maize -- easy if you know the form of your material, less so if you've just knocked it from the stalk.''" |
| - | [[Stimso Adid's]] sleepwalking oratioum, experimentally launched in New York in the year 1934 and interpreted by cartographer [[Mazzistow Carrington]]), was used to predict the [http://freepages.history.rootsweb.com/~jwheat/expopark/parry1.jpg geomantical location]], but not the purpose or chronological spacing of the regular performance of this rarest of [[AA]] ceremonial ritual. | + | '''A Needless Jibe''' |
| - | [[Tim Wilson]] has been a particularly ardent choreographer of fisticuffs. The fisticuffs ritual is a dance that changes like jazz. Quite structured, complex, yet full of spontaneous variation and "improvisation." The basic characters are the [[monkey]] and the [[ass]]. In [[Incidentalist]] variations an [[asp]] goads them on, and, though trampled by the spectators at the end for his "cowardly" ways, always comes back after the curtain falls with a ribald joke, often a one-liner. | + | [[Tim Wilson]] has been a particularly ardent choreographer of fisticuffs. The fisticuffs ritual is a dance that changes like jazz. Quite structured, complex, yet full of spontaneous variation and "improvisation." The basic characters are the [[monkey]] and the [[ass]]. In [[Incidentalist]] variations an [[asp]] goads them on, and, though trampled by the spectators at the end for his "cowardly" ways, always comes back after the curtain falls with a ribald joke, often a one-liner. |
| The Night of a Bit of Lunacy, itself a quasi-stationary series of movements inscribed in air, culminates in this, most fragile and drying motion in the AA sphere. | The Night of a Bit of Lunacy, itself a quasi-stationary series of movements inscribed in air, culminates in this, most fragile and drying motion in the AA sphere. | ||
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| == See Also == | == See Also == | ||
| - | [[hand]] | + | ---- |
| + | * [[Handcuffs]] | ||
| + | * [[Muscular Associationalism]] | ||
| + | * [[Steven Adkins]] | ||
| + | * [[Wrestle]] | ||
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| + | </td> | ||
| + | <td width="180px" align="left" valign="top" bgcolor="#E0E0E0" style="margin: 0 0 1em 1em; background: #E0E0E0; border: 1px #aaa solid; border-collapse: collapse; font-size: 100%;"> | ||
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| + | == Desiderata == | ||
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| + | ---- | ||
| + | <font style="font-size: 100%"> | ||
| + | </font>(الجمع) تضارب بالقبضات <font style="font-size: 90%">is arabic for fisticuffs. | ||
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| + | ''[[Jonathan Trenchwheat]] always'' had a great sartorial flair and invented a kind of garment for orgies he called "fisting cuffs". | ||
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| + | </font> | ||
| + | </td> | ||
| + | </tr> | ||
| + | </table> | ||
Current revision
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Fisticuffs k. 1. Ceremonial dance enacted prior to a reformatting of the inherent structure. 2. A means of achieving an end, where an end is about achieving means. 3. Final sequence in The Night of a Bit of Lunacy ritual, celebrated amanuensically by the making of shears. 4. Violent engagement enacted as a symbolic advancement-utility device, i.e., the elaboration of sleep activity. 5. A flurry of blows shared between two or more parties, rendered artfully and worthy of praise, another round of drinks, and the attention of women. [edit] ExtrapolationStimso Adid's sleepwalking oratorium, experimentally launched in New York in 1934 and interpreted by cartographer Mazzistow Carrington,
A Needless Jibe Tim Wilson has been a particularly ardent choreographer of fisticuffs. The fisticuffs ritual is a dance that changes like jazz. Quite structured, complex, yet full of spontaneous variation and "improvisation." The basic characters are the monkey and the ass. In Incidentalist variations an asp goads them on, and, though trampled by the spectators at the end for his "cowardly" ways, always comes back after the curtain falls with a ribald joke, often a one-liner. The Night of a Bit of Lunacy, itself a quasi-stationary series of movements inscribed in air, culminates in this, most fragile and drying motion in the AA sphere. [edit] See Also |
[edit] Desiderata(الجمع) تضارب بالقبضات is arabic for fisticuffs. Jonathan Trenchwheat always had a great sartorial flair and invented a kind of garment for orgies he called "fisting cuffs".
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