Hot Night of The Universe
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- | <pre> | + | |
- | Scenes: | + | '''Scenes:''' |
We enter the narrative into a carriage ride through revolution-torn Paris, setting up the myth of Guvenenor as inspiration for the OG statue of liberty, i.e. one's left leg in one's right hand. Note: Maybe simply shots of some ragged, anxious faces, snarled up in swaddles, chance for subtitles? | We enter the narrative into a carriage ride through revolution-torn Paris, setting up the myth of Guvenenor as inspiration for the OG statue of liberty, i.e. one's left leg in one's right hand. Note: Maybe simply shots of some ragged, anxious faces, snarled up in swaddles, chance for subtitles? | ||
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Some scenes/shots from inside Dr. Mudd's clinic and Chimpston Larou's cabinet. | Some scenes/shots from inside Dr. Mudd's clinic and Chimpston Larou's cabinet. | ||
- | Being the Infinite Digress Upon The Nature Of | + | ''Being the Infinite Digress Upon The Nature Of'' |
--- | --- | ||
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Closeup of signatures on US Constitution, Old Guvenenor up to his shenanigans in the signatory's pantry. First shot? First sequence? | Closeup of signatures on US Constitution, Old Guvenenor up to his shenanigans in the signatory's pantry. First shot? First sequence? | ||
Set up opposition of "documentary" style narrations, with actual narrative Allow them to become one. Use words like actual to make sure they stay that way. | Set up opposition of "documentary" style narrations, with actual narrative Allow them to become one. Use words like actual to make sure they stay that way. | ||
- | dissolve: still --> tableau --> 18fps | + | * dissolve: still --> tableau --> 18fps |
- | food stamp office after guvenenor's disappearance. | + | |
+ | food stamp office after guvenenor's disappearance. | ||
-- | -- | ||
Line 25: | Line 26: | ||
Loss of limb shot gruesome amputee ala chocalate syrup and saws. Maybe cut up to GM's face and he's cool as a cucumber, with pipe. ? | Loss of limb shot gruesome amputee ala chocalate syrup and saws. Maybe cut up to GM's face and he's cool as a cucumber, with pipe. ? | ||
- | DR. MUDD'S MONOLOGUE | + | '''DR. MUDD'S MONOLOGUE''' |
seduction scenes long: loss (franklin?) of limb, non sync: at least 3 short fore-tails. | seduction scenes long: loss (franklin?) of limb, non sync: at least 3 short fore-tails. | ||
- | selected conversations of the guvenenor/dr.mudd dialectic, amputee, amputator. | + | * selected conversations of the guvenenor/dr.mudd dialectic, amputee, amputator. |
+ | |||
+ | '''An Exercise''' | ||
- | <--- An Exercise---> | ||
Auto erotic Defenestration | Auto erotic Defenestration | ||
+ | |||
Peep hole Vision; much, or at least one of two shots, camera through a glory hole, GM's exploits, mostly sexual in nature. All other Founding Fathers are depicted as pathetic dullards, plodding through life, miserabalists. | Peep hole Vision; much, or at least one of two shots, camera through a glory hole, GM's exploits, mostly sexual in nature. All other Founding Fathers are depicted as pathetic dullards, plodding through life, miserabalists. | ||
The Incredible Origin of the Missing Leg | The Incredible Origin of the Missing Leg | ||
+ | |||
or Point of Removal: Scene of GM's recovery period. - in Dr. Mudd's clinic. | or Point of Removal: Scene of GM's recovery period. - in Dr. Mudd's clinic. | ||
---- | ---- | ||
"Because Guvenenor Morris had been such a scoundrel for so many years, he had an unsavory reputation he knew good and well that he would be ostracized for his behavior if you ask me he's his own left leg." -Madam Beauregard, 1\1902, LousyAnna US | "Because Guvenenor Morris had been such a scoundrel for so many years, he had an unsavory reputation he knew good and well that he would be ostracized for his behavior if you ask me he's his own left leg." -Madam Beauregard, 1\1902, LousyAnna US | ||
- | possible shots: | + | * possible shots: |
elected Founding Father reports his disdain to the rest of the FF gaggle. Tableau of a 1$ food stamp. M. Beuaxregard is her own damn self. Silhouettes/shadows of a male pissing, fist fights, amputee penis, leg, arm, head musings. Described by voice over w/ disparate visual accompaniment, they must fistfight, french revolution leg wave, etc. | elected Founding Father reports his disdain to the rest of the FF gaggle. Tableau of a 1$ food stamp. M. Beuaxregard is her own damn self. Silhouettes/shadows of a male pissing, fist fights, amputee penis, leg, arm, head musings. Described by voice over w/ disparate visual accompaniment, they must fistfight, french revolution leg wave, etc. | ||
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-- | -- | ||
+ | '' | ||
+ | List of Action Type People'' | ||
- | List of Action Type People | ||
"Founding Fathers -- GOT ANY!??" - space Ghost, 1999 | "Founding Fathers -- GOT ANY!??" - space Ghost, 1999 | ||
+ | |||
G. Morris | G. Morris | ||
+ | |||
DR Mudd, drunk with a dirty cigar | DR Mudd, drunk with a dirty cigar | ||
+ | |||
Ben Franklin, GW -->--< No franklin, Jefferson or Madison, suarez or kook? | Ben Franklin, GW -->--< No franklin, Jefferson or Madison, suarez or kook? | ||
+ | |||
Madame Beauregard | Madame Beauregard | ||
+ | |||
min. 4 wives (all lined up with butts in the air) | min. 4 wives (all lined up with butts in the air) | ||
Line 58: | Line 68: | ||
15-20 minutes | 15-20 minutes | ||
+ | |||
bw and color, 16mm | bw and color, 16mm | ||
+ | |||
seamless narrative, reaction against challenge, biographical angle, frozen frames and jilty epilepsy | seamless narrative, reaction against challenge, biographical angle, frozen frames and jilty epilepsy | ||
signing declaration, disparates hall | signing declaration, disparates hall | ||
+ | |||
All the Founding Fathers are women or minorities, close up handshaking all naked except for Guvenenor, cut into Gov. fucking their wives, all that sort of thing, philandering. The wives are in full New England get-up and guv | All the Founding Fathers are women or minorities, close up handshaking all naked except for Guvenenor, cut into Gov. fucking their wives, all that sort of thing, philandering. The wives are in full New England get-up and guv | ||
+ | |||
different handwriting, different women, will set the scene | different handwriting, different women, will set the scene | ||
Guvenenor as the scribe by | Guvenenor as the scribe by | ||
+ | |||
writing he defines the act of writing that is the unspoken master of the proceedings, note: Lets' get the pen ex. | writing he defines the act of writing that is the unspoken master of the proceedings, note: Lets' get the pen ex. | ||
+ | |||
cobblestone road CU w/carriage | cobblestone road CU w/carriage | ||
+ | |||
possible to environs of the Hot Dame suit | possible to environs of the Hot Dame suit | ||
Beginning as above "skritch" "skritch" | Beginning as above "skritch" "skritch" | ||
+ | |||
writing the constitution juxta w/ guv, period guv defenestration, pistol fight, etc, convention | writing the constitution juxta w/ guv, period guv defenestration, pistol fight, etc, convention | ||
+ | |||
straight narrative, cross cutting | straight narrative, cross cutting | ||
sync sound | sync sound | ||
+ | |||
husband approaches | husband approaches | ||
+ | |||
guvenenor seduces culminating in | guvenenor seduces culminating in | ||
when husband arrives possible cut to | when husband arrives possible cut to | ||
+ | |||
the same actors, in reminder guise | the same actors, in reminder guise | ||
+ | |||
sitting in the contemporary stay reading the lines dryly, on a stage set | sitting in the contemporary stay reading the lines dryly, on a stage set | ||
+ | |||
vaudeville | vaudeville | ||
+ | |||
jumps out through (unreadable) bushes | jumps out through (unreadable) bushes | ||
- | -- into NY street --- | + | |
- | the fully formed St to wooden shack | + | ''into NY street'' |
+ | |||
+ | the fully formed St to wooden shac | ||
+ | |||
IMP!! | IMP!! | ||
----- | ----- | ||
Mudd is out front "Let's erase that leg" | Mudd is out front "Let's erase that leg" | ||
- | Guv: "No, by adding purity you arrive at the truth." | + | |
- | Mudd Dialogue: utmost important | + | '''Guv:''' "No, by adding purity you arrive at the truth." |
+ | |||
+ | '''Mudd Dialogue:''' utmost important | ||
+ | |||
mudd like a Hemingway yoda convinces guv. | mudd like a Hemingway yoda convinces guv. | ||
+ | |||
to remove his leg, a statesman of the world | to remove his leg, a statesman of the world | ||
+ | |||
france, (unreadable, for several lines) etc | france, (unreadable, for several lines) etc | ||
+ | |||
Possible Indian style animation, wooden leg icon | Possible Indian style animation, wooden leg icon | ||
After amp, a complete reversal -- | After amp, a complete reversal -- | ||
- | rejection of self (several items marked out) | + | |
+ | rejection of self ''(several items marked out)'' | ||
+ | |||
he has fallen prey to Mudd. | he has fallen prey to Mudd. | ||
+ | |||
(place Guv. as writer, not scribe) | (place Guv. as writer, not scribe) | ||
+ | |||
here we have inner dialogue between | here we have inner dialogue between | ||
+ | |||
he rejects the dia, w mudd as ext. dialogue | he rejects the dia, w mudd as ext. dialogue | ||
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Meat takes gravy in clinic. Guv. leave of clinic -- resolve -- sends | Meat takes gravy in clinic. Guv. leave of clinic -- resolve -- sends | ||
+ | |||
him to a quick reassurance of "things staying the same" | him to a quick reassurance of "things staying the same" | ||
+ | |||
last release walks a runaway (unreadable) down the lane until | last release walks a runaway (unreadable) down the lane until | ||
+ | |||
running across the corn field w/ stump in hand for drama | running across the corn field w/ stump in hand for drama | ||
+ | '' | ||
+ | mudd ----->mansion'' | ||
- | mudd ----->mansion | + | then throws his stump into the upper window |
- | _ then throws his stump into the upper window | ||
it lands upright | it lands upright | ||
- | 1. tumbles in corner | + | # tumbles in corner |
- | 2. looks up | + | # looks up |
- | 3. bed look, etc | + | # bed look, etc |
and then guv. appears, the woman smiling | and then guv. appears, the woman smiling | ||
- | </pre> | ||
== Critical Appraisal == | == Critical Appraisal == | ||
---- | ---- |
Revision as of 23:26, 17 Sep 2004
Table of contents |
Authored with 16mm cinema intentions, Mike Baldwin and Tim Wilson created this near-indecipherable document. Transcribed from a beer-soaked yellow legal pad, it cannot be considered entirely accurate. Revolving around the exploits of alchemically deciphered GGuvenenor Morris, the script also features appearances of Dr. Mudd, numerous Founding Fathers, half-naked women -- in particular, the notorious Madame Beauregard.
Hot Dames Take All Night, or Hot Night of the Universe of The Taking of The Ladies
Scenes:
We enter the narrative into a carriage ride through revolution-torn Paris, setting up the myth of Guvenenor as inspiration for the OG statue of liberty, i.e. one's left leg in one's right hand. Note: Maybe simply shots of some ragged, anxious faces, snarled up in swaddles, chance for subtitles?
Some scenes/shots from inside Dr. Mudd's clinic and Chimpston Larou's cabinet.
Being the Infinite Digress Upon The Nature Of
---
Closeup of signatures on US Constitution, Old Guvenenor up to his shenanigans in the signatory's pantry. First shot? First sequence? Set up opposition of "documentary" style narrations, with actual narrative Allow them to become one. Use words like actual to make sure they stay that way.
- dissolve: still --> tableau --> 18fps
food stamp office after guvenenor's disappearance.
--
Loss of limb shot gruesome amputee ala chocalate syrup and saws. Maybe cut up to GM's face and he's cool as a cucumber, with pipe. ?
DR. MUDD'S MONOLOGUE
seduction scenes long: loss (franklin?) of limb, non sync: at least 3 short fore-tails.
- selected conversations of the guvenenor/dr.mudd dialectic, amputee, amputator.
An Exercise
Auto erotic Defenestration
Peep hole Vision; much, or at least one of two shots, camera through a glory hole, GM's exploits, mostly sexual in nature. All other Founding Fathers are depicted as pathetic dullards, plodding through life, miserabalists.
The Incredible Origin of the Missing Leg
or Point of Removal: Scene of GM's recovery period. - in Dr. Mudd's clinic.
"Because Guvenenor Morris had been such a scoundrel for so many years, he had an unsavory reputation he knew good and well that he would be ostracized for his behavior if you ask me he's his own left leg." -Madam Beauregard, 1\1902, LousyAnna US
- possible shots:
elected Founding Father reports his disdain to the rest of the FF gaggle. Tableau of a 1$ food stamp. M. Beuaxregard is her own damn self. Silhouettes/shadows of a male pissing, fist fights, amputee penis, leg, arm, head musings. Described by voice over w/ disparate visual accompaniment, they must fistfight, french revolution leg wave, etc.
We need a consistent voice over character 111
-- List of Action Type People
"Founding Fathers -- GOT ANY!??" - space Ghost, 1999
G. Morris
DR Mudd, drunk with a dirty cigar
Ben Franklin, GW -->--< No franklin, Jefferson or Madison, suarez or kook?
Madame Beauregard
min. 4 wives (all lined up with butts in the air)
an anecdote about GM habit of going around in disguise, chatting up friends, attending funerals, he mugs Washington. How does cappy play into this? --- capernicus trowbridge
15-20 minutes
bw and color, 16mm
seamless narrative, reaction against challenge, biographical angle, frozen frames and jilty epilepsy
signing declaration, disparates hall
All the Founding Fathers are women or minorities, close up handshaking all naked except for Guvenenor, cut into Gov. fucking their wives, all that sort of thing, philandering. The wives are in full New England get-up and guv
different handwriting, different women, will set the scene
Guvenenor as the scribe by
writing he defines the act of writing that is the unspoken master of the proceedings, note: Lets' get the pen ex.
cobblestone road CU w/carriage
possible to environs of the Hot Dame suit
Beginning as above "skritch" "skritch"
writing the constitution juxta w/ guv, period guv defenestration, pistol fight, etc, convention
straight narrative, cross cutting sync sound
husband approaches
guvenenor seduces culminating in
when husband arrives possible cut to
the same actors, in reminder guise
sitting in the contemporary stay reading the lines dryly, on a stage set
vaudeville
jumps out through (unreadable) bushes
into NY street
the fully formed St to wooden shac
IMP!!
Mudd is out front "Let's erase that leg"
Guv: "No, by adding purity you arrive at the truth."
Mudd Dialogue: utmost important
mudd like a Hemingway yoda convinces guv.
to remove his leg, a statesman of the world
france, (unreadable, for several lines) etc
Possible Indian style animation, wooden leg icon
After amp, a complete reversal --
rejection of self (several items marked out)
he has fallen prey to Mudd.
(place Guv. as writer, not scribe)
here we have inner dialogue between
he rejects the dia, w mudd as ext. dialogue
mudds clinic is a universe
Meat takes gravy in clinic. Guv. leave of clinic -- resolve -- sends
him to a quick reassurance of "things staying the same"
last release walks a runaway (unreadable) down the lane until
running across the corn field w/ stump in hand for drama mudd ----->mansion
then throws his stump into the upper window
it lands upright
- tumbles in corner
- looks up
- bed look, etc
and then guv. appears, the woman smiling