Amway-style poetry samples
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| An experiment with poetical [[ablation]], [http://en.wikipedia.org/wiki/Amway Amway-styled] poetry samples were developed by [[Jorge Suarez]] as early as 1955 but elaborated significantly by Stimes Addisson in the early 1960's in what he referred to as "basically time off . . . in that my wife kicked me out." Purvey of the young, this method of literary distribution is nearly identical to the distribution of vacuums and religious tracts so popular in the previous decade of [[Poob Culture]], the main product of which is the travelling salesman -- a source of endless myth and everpresent [[vaporic construction]]. In later years, [[Addisson]] would elaborate endlessly on this theme. | An experiment with poetical [[ablation]], [http://en.wikipedia.org/wiki/Amway Amway-styled] poetry samples were developed by [[Jorge Suarez]] as early as 1955 but elaborated significantly by Stimes Addisson in the early 1960's in what he referred to as "basically time off . . . in that my wife kicked me out." Purvey of the young, this method of literary distribution is nearly identical to the distribution of vacuums and religious tracts so popular in the previous decade of [[Poob Culture]], the main product of which is the travelling salesman -- a source of endless myth and everpresent [[vaporic construction]]. In later years, [[Addisson]] would elaborate endlessly on this theme. | ||
| - | '''A Charming Luncheonette.''' | + | '''The Charming Luncheonette.''' |
| A loosely-strung network of poets distributed and sometimes actually sold poetry this way across 13 major American cities in 1963 and 1964. The origin was simple. Suarez had asked: What if one went door to door selling epic poems with selected strophes, stanzas and spondules, ''samples'', in other words, which would induce someone to buy the whole, predicated upon the promise of a good read? What if, indeed? Stimes took these musings from the theoretical into the realm of the actual, organizing the network, developing the pamphlets and designing the presentation cases used by his team. | A loosely-strung network of poets distributed and sometimes actually sold poetry this way across 13 major American cities in 1963 and 1964. The origin was simple. Suarez had asked: What if one went door to door selling epic poems with selected strophes, stanzas and spondules, ''samples'', in other words, which would induce someone to buy the whole, predicated upon the promise of a good read? What if, indeed? Stimes took these musings from the theoretical into the realm of the actual, organizing the network, developing the pamphlets and designing the presentation cases used by his team. | ||
| + | |||
| + | '''Beginning to End''' | ||
| Addisson himself did legwork for a few weeks in 1963. He went door to door through the suburbs of Chicaco with a briefcase full of pamphlets and weird product descriptions. He made 300 dollars and got laid twice. After his brief run he decided to coordinate operations from within the [[AA]] bunker near Oswego, NY. | Addisson himself did legwork for a few weeks in 1963. He went door to door through the suburbs of Chicaco with a briefcase full of pamphlets and weird product descriptions. He made 300 dollars and got laid twice. After his brief run he decided to coordinate operations from within the [[AA]] bunker near Oswego, NY. | ||
Revision as of 12:49, 4 Feb 2005
A Bible Salesman
An experiment with poetical ablation, Amway-styled (http://en.wikipedia.org/wiki/Amway) poetry samples were developed by Jorge Suarez as early as 1955 but elaborated significantly by Stimes Addisson in the early 1960's in what he referred to as "basically time off . . . in that my wife kicked me out." Purvey of the young, this method of literary distribution is nearly identical to the distribution of vacuums and religious tracts so popular in the previous decade of Poob Culture, the main product of which is the travelling salesman -- a source of endless myth and everpresent vaporic construction. In later years, Addisson would elaborate endlessly on this theme.
The Charming Luncheonette.
A loosely-strung network of poets distributed and sometimes actually sold poetry this way across 13 major American cities in 1963 and 1964. The origin was simple. Suarez had asked: What if one went door to door selling epic poems with selected strophes, stanzas and spondules, samples, in other words, which would induce someone to buy the whole, predicated upon the promise of a good read? What if, indeed? Stimes took these musings from the theoretical into the realm of the actual, organizing the network, developing the pamphlets and designing the presentation cases used by his team.
Beginning to End
Addisson himself did legwork for a few weeks in 1963. He went door to door through the suburbs of Chicaco with a briefcase full of pamphlets and weird product descriptions. He made 300 dollars and got laid twice. After his brief run he decided to coordinate operations from within the AA bunker near Oswego, NY.
