Grignotti and the "Buggeroni" BDGDB Motive
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| - | [[Mazzistow Carrington]] and Professor Newton Periwinkle's collaborative essay established "[[Buggerino]]" as a genuine Grignottian compostion from 1789 that was alternately entitled "Buggeroni", thereby debunking the theory the opera was a fictive work imagined and first described by [[Dapper Clementine]] in ‘‘[[Grignotti and the "Buggeroni" BDGDB Motif]]’’ (1965). | + | [[Mazzistow Carrington]] and Professor Newton Periwinkle's collaborative essay established "[[Buggerino]]" as a genuine [[Paulo Grignotti|Grignottian]] compostion from 1789 that was alternately entitled "Buggeroni", thereby debunking the theory the opera was a fictive work first imagined and described by [[Dapper Clementine]] in ‘‘[[Grignotti and the "Buggeroni" BDGDB Motif]]’’ (1965). |
| - | Carrington and Periwinkle charge Clementine with a disinformation campaign geared towards debunking his own work in order to misguide attempts to decode messages encrypted in this and other operatic directives towards [[La Ligue du Masque Cancéreux]]. | + | Carrington and Periwinkle charge Clementine with a [[disinformation]] campaign geared towards debunking his own work in order to misguide attempts to decode messages encrypted in this and other operatic directives towards [[La Ligue du Masque Cancéreux]]. |
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Revision as of 03:21, 30 Nov 2005
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Though the stuff of legends, the text of Grignotti and the "Buggeroni BDGDB Motive" (Mazzistow and Periwinkle. Grignotes '99) was, sadly, lost with the arson-suspected demise of the Grignotes' headquarters. But read on -- we have provide the history of the text below -- which we trust you will find to be interesting enough. ExtrapolationMazzistow Carrington and Professor Newton Periwinkle's collaborative essay established "Buggerino" as a genuine Grignottian compostion from 1789 that was alternately entitled "Buggeroni", thereby debunking the theory the opera was a fictive work first imagined and described by Dapper Clementine in ‘‘Grignotti and the "Buggeroni" BDGDB Motif’’ (1965). Carrington and Periwinkle charge Clementine with a disinformation campaign geared towards debunking his own work in order to misguide attempts to decode messages encrypted in this and other operatic directives towards La Ligue du Masque Cancéreux. |
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