The Greenbook (part 4)
From Plastic Tub
(Difference between revisions)
Revision as of 13:39, 20 Feb 2005
Collection of poetry by Steven Adkins (2003-2004).
Part 1 | Part 2 | Part 3 | Part 4 an animal dying
- the wind was wailing....
- no!
- the wind was wailing....
(it was the animal)
Anyone’s guess is as good as a pogrom beautiful lovely ovaloid face full lips hair streaked and a-tumble eyes pale-blue, arched frown fun and so unlike a pencil a Mediterranean rarity thin arms long ass apex in pert bum I almost forgot my station (!) my place envisioned throwing down on the meeting room- sized table buggering the shy student of language under the pot-bellied moon hidden in the fluorescent lights stalking the truth what was it I said about the moon? we gotta blow it up it menaces us: secret lair of the evil-doers in crescent it forms the thumbnail print impressed on the sand: walk away it oozes petroleum and blood plant and egg on the end of a stick from the dolmen of flowers a chicken’s head peeks…. the system had me, the speed, some kind of invocation: a concrete dwelling where thousands live, hive-life the unhealthy flipside of the Anasazi Great House the umber shadow of a nightmare Who’d have thought the desert would bloom under a flood of ink? take time, chuck it all out ripping out the seat of one’s pants in a precious slide slipping something in where it shouldn’t be: black-market minutes on sale at prices…. forget it: dulcet tones ring When people fall down tumbling the physical act in this sense holding the leash of “intellection”: a rather piss-poor election, and that is the mangled phrase of a cartoon Nip California Style 1942 internment never looked so good He put his lips on the wool he stole fire and hid it in the reflection of an incredibly pure steel…. the glow seems to come from within…. This is face down in a ditch outside of Orange City, Fla., Granada “la hermosa infamosa” Sad to think I’m hearing things.... and at such an early age There are a lot of things to buy unfortunately it’s all so cheap so it gets bought We always get a deal on the things no one needs.... Freckled, confused, brain like a swiss cheese, wine spores in twisting green clouds Apparently there are zombies about and full light in bloom, a sun-torch which melts ocular bulbs and griddles them on the cheek This is how it happened: The sky fell open the thumbnail pierced the thin veil of heaven and poured down therein a bucket of fire. For a bucket of mire you fired your thorn. For a pocket of lucre you sold your lord No gold low enough, no valley high motion of hills which can’t get enough (Self-assured squire, gored, storing malice like one bites the tongue on a good joke among dull folk) Nevermind: he is a stock character: sulking Called: Mizzy Moo And boy, are we calling: Finding heroes in a poppy of dwarves, sticking wicked on weakness of will: bearing right, ‘round Rikkenbach hill: There of the skull-planted The infant foreigner’s cry: Coming of Age in poverty and confusion, laziness, alcoholism: Can I still raise a son full of love and ready to make his stand, plant his “flag” in the seed hills of Babylon Staking claims Marking fields: Demon industry of civilization The complexity of feeding, pacifying a densely-packed population Organizing into city blocks, guilds parties and what is all this barren history but a kind of humiliating death? ‘Twasn’t always this way, always, neither forgetting itself in undulous sound waves the ridiculous tho’ hardboiled P.I. makes his way thru the pancreatic action of the city (i.e.) Not freely given This weak umbrage of the sky, and I will write until the (bitter) death of this quiet moment You have to render me homage: For all the banal drivel I let loose from upon my tongue (forth from my vulgar mouth) Do they heap themselves into bones? Are charnel fires glowing steadily under the domed surface layer of blackened sand? you sold your head your hills of tuna And going to bed, rocking a free world the ironic leer of an earnest livewire on wheels.... We salute this human lightning, this greased snail Forthwith: And hereby: Known as: The Salted Hand 27 scouts searching thru the bean parade a thin glade ever fresh springy vaguely content whose acrobats commonly called “the corners of the mouth” are rarely flipping upwards: Zen in the static, we find a silky smoothness in the increasingly large-scale rupture in his neck, when looking @ it 30 years from now, after the divorce When his stocky physique turned to flubber This only insures that it will take longer to eat him alive (He is curiously cold, his eyelids as heavy as penny-farthings) Never any good Think black adolescents rapping nerd rap but really, with only the slung, rusted metal part of fire in the gums of detention Sing with pinched nose, geek-rock to explode bread, blow-up the small feature, exam, send it away We’ve lost all sense of the guarded optimism inherent in putting a pencil to paper we’re not gonna be bossed around in 1970 I was born on MacDill A.F.B., Tampa in 1980 I was in the 6th grade in Naples Italy, Pinetamare, near Castelvolturno in 1990 I was a student in Florida, Stetson Deland in 2000 I rang in the year in Jemez, NM and ended up in Ithaca, NY A sleek life in the Provinces A provincial lad. I don’t want to bring back anything, I’d like to survive with a minimum of hassle But who’s talking about dying, anyway?! Tall tales from the tundra: You must protect yourself from fiery interlopers ready to jump your claim (A meaningful pause while the kibble is ranged and the bits are put....as the song goes: everything in its right place) · · · · Find your peach Pull it out twist its neck make it shout be real mean lick not boots kick in teeth avoid “cahoots” · · · · Hydrogen bombs explode like cherry bombs small godling cackles gleefully as worlds turn to ask or blow away on solar winds to ditches dug by fingernails clawing at the earth on the road to the tomb (plastic tub carrying soil samples) plants grow from these hidden seeds: allegro andante al dente pianissimo stolen command a range of feeling expressed by a simple letter (those who are motivated instantly become good) (a martyr’s paw; a dying lionysus) flipping pennies in the wind She is better than the wind “Sometimes it’s better to write one good phrase, than a lot....” (a call in the night, a favored (half) uncle is dead; other, distant relatives answer the phone: You have been squeezed out Your whole life reduced to a bet over dimes!) God’s party flipping whiskers whisky drops stool foolscap Let the dreary arpeggio wind down.... It should’ve ended months ago under the sad twist, no, the twist which leads into character studies Sketches of fingers (hose that claw at gravesides) The Gilded Cross is a kind of fish’s head Slinking down God’s corridors Shimmering wet: a wooden head decorated in Gold leaf, worn on a small head the light of fires, fat tallow candles grotesque shadows in the angles flipping around corners from wall to roof a crafty dance of drunks in pelts crap meads, ales, sticky wines tumbling onto floors The Dead send their envoys for murder Maybe there is serious purpose Maybe they are just bored And the pages keep multiplying stretching into infinity (That infinity which is everyone’s time until death....) Dramatic score, lighting, flashes an exploding door What lies behind? poor, poor casks: they are empty thus alone Impotence, uselessness, polite tranquility in the face of those who have made you angry These are the eggs, carried in a fugue state by frozen spirits Which have been laid here at my door After their service in the rain for me to collect crack of same as I may throw against walls....prepare the inevitable omelette, gotta crack a few eggs even if these are babies’ heads, pregnant women, soldiers.... The little climber will persist despite my inability to sustain a metaphor to maintain a dubious attainment Cut out of the womb in a mundane heatwave We hope this will be as good a year for babies, as for wine (he says with a fine blend of gravitas and humor—the kind of bourgeois expectancy—laughter of the interlocutors—almost fawning) [Small blond hand plucks at the fallen guitar] · · · · One year in the making this child and this book · · · · Incomplete thoughts lie writhing on the page What do we want of doubt and chagrin? We want ice fires and liquid smoke Impossible shimmering curtain drawn back from the North Pole: We all have the best views! Finish it, kill it quick before it moves on this strumpet in a trunk is the unfortunate lawyer turned sailor: (expel the old black man from the island! We don’t appreciate his liberty!) If I have found a heated pathway into your heart you must excuse me If I have burrowed in that bore and inflamed your tissues you must abuse me If I have excavated a tunnel to connect your core to my solar fire There is nothing you can do If I’d have had, in my hand, gripped by the hair, your severed head I would have flung it, So I haven’t Because it’s still on your neck Long and tender: A vampire’s eyes grow large Bronzino seems timid, an ostrich grows confused If on a plate, like St. Anne, you step towards me presenting your severed breasts I will not accept them I have no desire to see you mutilated If you stand, straddling an imaginary hole, and reach into your uterus and pull it inside-out, depositing a thousand screaming children, tadpole-sized, dripping a kind of luminescent ooze, I will not put them back and I will let the Ram’s head flap: (This is not safe) Why or how these thing have happened, are happening or will happen is unknown to me With why or how we add “if”: all is merely an intersection of opposing probabilities: each to his ability; quite simpler, he who doesn’t pull his weight, dies by a hand far less merciless than our own: Nature is a cruel mistress Love is a nest of frogs Deliverance a stone’s throw from damnation We see each other over the sandbar: cinnamon and gold spices are the petroleum of luxury The tender entrails of deer are the warm mittens we give to our children They warm themselves over the barrel of a gun! It is ever so far No coast of Montenegro Just explosions, a raped sister a brother’s head found in a refrigerator A sickness of powerful mutants psychopaths with a propensity to spill When in clouds, under the fire, jocular hypertension causing muscles to bulge and penile heads to glow red Waving scimitars Bienvenue au Moyen Âge Ca marche pas ça, trop mais.... ça suffit Colonies in my bowels A small intelligent life-form empathic and crowding [ ] with mildly telepathic voices— it gets to be a confusing babble But occasionally the chorus hits a high note and rings a gong! there is a [ ]-charged [ ] which gives vapors a bee-line to the fingers the scent lingers of lightning emitting incandescent yellow This is my dark impish secret forgetting splendor the [ ] in the grass the crack of a bird and insect buzzing Traffic Wind A cat, no! A squalling kid A bloated empire heating up the sky Brown cans, rusted emitting flames of flat yellow, sparkling “Real Greenbook: Further Adventures of the family Atkyns, Pt. 4” or, “Rudolph Adkins and his Pains” or, “Diaries of a Dunce.” The text is herein presented, reticently, on a Calligraphic 7000 spiral-bound notebook, size A4, or for our foreign colleagues 21 x 29.7 cm. A Pilot V7 fine has proven the writing implement most suited to the diarist’s style Anyone who profits from the use of this text, reproduction or distribution in any format, should send a share to: 7, rue Belle Paule 31500 Tolosa.
Part 1 | Part 2 | Part 3 | Part 4