German School of Re-Design
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| [[Category:Groups]]Famed School of ''Industrial Readiness'' and ''Colloquial Design'', established by German [[AA]] dissidents in Costa Rica. Closely associated with the "rat-lines" which allowed [[Nazi Regime|Nazi]] officials to escape the fall of Germany, the school taught a severe, unbending approach to the arts, specifically those areas of expression deemed "irrevocably intolerable." In short, an idealism reigned supreme, the goal of which was no less than the "proper redesign of intolerable artifacts so prevalent in the decadent societies of the West." The school was mad about re-designing everything from the toothbrushes to the foot-saucer. [[Easton W. Wunderkidd]] nearly bankrupted the school in his South American adventures of 1948. | [[Category:Groups]]Famed School of ''Industrial Readiness'' and ''Colloquial Design'', established by German [[AA]] dissidents in Costa Rica. Closely associated with the "rat-lines" which allowed [[Nazi Regime|Nazi]] officials to escape the fall of Germany, the school taught a severe, unbending approach to the arts, specifically those areas of expression deemed "irrevocably intolerable." In short, an idealism reigned supreme, the goal of which was no less than the "proper redesign of intolerable artifacts so prevalent in the decadent societies of the West." The school was mad about re-designing everything from the toothbrushes to the foot-saucer. [[Easton W. Wunderkidd]] nearly bankrupted the school in his South American adventures of 1948. | ||
| - | The faculty was reknowned and included everything from industrial designers to choreographers. Juan Castillo (Professor of Dance), for example, was roundly applauded for his intricate use of the goose-step in the Tango. His cohort Pedro Wiggins introduced the Nazi salue into the dance. Though many will deny the true origins, their moves can be found in ''milongas'' over the world to this day. | + | The faculty was reknowned and included everything from industrial designers to choreographers. [[Juan Castillo]] (Professor of Dance), for example, was roundly applauded for his intricate use of the goose-step in the Tango. His cohort [[Pedro Wiggins]] introduced the Nazi salute into the dance. Though many will deny the true origins, their moves can be found in ''milongas'' over the world to this day. |
| == See Also == | == See Also == | ||
| ---- | ---- | ||
| * [[Clampers]] | * [[Clampers]] | ||
Revision as of 17:38, 1 Apr 2005
Famed School of Industrial Readiness and Colloquial Design, established by German AA dissidents in Costa Rica. Closely associated with the "rat-lines" which allowed Nazi officials to escape the fall of Germany, the school taught a severe, unbending approach to the arts, specifically those areas of expression deemed "irrevocably intolerable." In short, an idealism reigned supreme, the goal of which was no less than the "proper redesign of intolerable artifacts so prevalent in the decadent societies of the West." The school was mad about re-designing everything from the toothbrushes to the foot-saucer. Easton W. Wunderkidd nearly bankrupted the school in his South American adventures of 1948.
The faculty was reknowned and included everything from industrial designers to choreographers. Juan Castillo (Professor of Dance), for example, was roundly applauded for his intricate use of the goose-step in the Tango. His cohort Pedro Wiggins introduced the Nazi salute into the dance. Though many will deny the true origins, their moves can be found in milongas over the world to this day.
