The Bluebook (part 3)
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Collection of poetry by [[Steven Adkins]] (2002-2003). It is also known as ''Half-Told Tales''. | Collection of poetry by [[Steven Adkins]] (2002-2003). It is also known as ''Half-Told Tales''. | ||
- | '''[[The Bluebook|Part 1]] | [[The Bluebook (part 2)Part 2]] | Part 3''' | + | '''[[The Bluebook|Part 1]] | [[The Bluebook (part 2)|Part 2]] | Part 3''' |
<pre> | <pre> | ||
The Frenzied Rush, in apathy | The Frenzied Rush, in apathy | ||
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can you stand a hot wind? | can you stand a hot wind? | ||
</pre> | </pre> | ||
- | '''[[The Bluebook|Part 1]] | [[The Bluebook (part 2)Part 2]] | Part 3''' | + | '''[[The Bluebook|Part 1]] | [[The Bluebook (part 2)|Part 2]] | Part 3''' |
== See Also == | == See Also == |
Current revision
Collection of poetry by Steven Adkins (2002-2003). It is also known as Half-Told Tales.
The Frenzied Rush, in apathy A SUNDAY which leaves no question about itself Silent and gray, oddly enough like Monsieur M mawked over the ocean like a hawked wind sold coughed-up loogied somewhat deranged (But there is no sun haven’t seen it for daze hallucin’d smoke a glaze of sombre news worries “real-world” responsibilities) and ever expansive this innerdrome of echoes, steadily amplifying against each other, as if the interior of the skull were the shell of the brain (s) reflective stainless steel which sends careening ballistics of thought into the Babel of consciousness some call it “monkey mind” some escape through “the mouth” a tourettic telegraph others get twitched out thru various means via the “fingers” This is usually automatic and relieving like a good solid shit breaking clean off in a vanilla swirl tip Oscilloscope dangling like the image of a clock twisting against a stark white wall shadows sharp & electric “One should be motivated – subtly— to think of a well-known transnational conglomerate” trans-glamoral skyscraper round and gleaming chromium-steel head giving them the appearance of enormous dildoes Oil derricks lifting well-seasoned buckets from honeypot black in the deep soil there is no bath no deranged puppet upon the infant infantry dogging-tired upoN the knee-flight of the soil friggin’ fortuna night-fucked in indigo │in we go │injun joe Draped, up if the pointed end didn’t really matter bang slap of artifact coldly reminisced upon the steel-toed organization in a squeAl-toed fate locked into, one must add musty attic rusty adverbly aardvarkian numbness kevorkian clumsiness wouldn’t you be guaranteed to die? shoes, as filters gamming up the lockstep shopworn imagination eating up tarheels shorn and not the North Carolina variety, either: shrouded and squealing jaw-makered and dillabout She comes comes all about shenackering the globe the oily globe the sun-smoked robe Bleach spots upon blood-red yolk-storms of globular light shoot excreta upon dying sardine sideways upon pan over fine-lined aube.... Jovial, then when not dangling (which is rare like French meat is rare) And can a sentence start with and can a sentence? Where did we begin to forget? gonna hand that saxon too ya.... film has become too precious a contract to merit one gets “out of it” while remaining in, if only broadly; historicized, if only slightly <super-sized> RIDING vermin the size of cattle should we explain the darkening sense of departure the strangling beauty that develops out of the strange sense of adventure in the rain in the stark falling rain heavy shadows upon the desert under the new mexico sky we must wait for these things to become myth and we know they are on the way, when we begin to dream of them the lag-time of démenagement in the chalice of the earth of be-mountained horizons always a kind of spectator in this world a perhaps all-too-willing follower – dangerous but no hint of leadership much less charisma Some make up Roman exploits some wallow in self-pity, alcohol, brain numbness But all of them, at least, have hobbies You degenerate spawn.... unfit to share the name Nothing will take the world by storm ....ever again (not really) To be honest, I’m surprised they lived, much less │so untouched │flourished │without a scratch all too willin’ spectral villain people gettin’ fucked up all over and all over nuthin’ he grins round at the barber-shop VERY FUCKIN’ METAL Keepin’ it up with the cheap-shot beckoning to the clim-roast of junked-up hoodoo conundrum, staring fixedly at reverberant sun in the Russian winter without sun circa 1930 It’s time to start living ha! leaving it’s :13 passed the hour but ye olde dark hole knows well you don’t need another escape but a confrontation when you pitted acid against conventionality and thought you were actually doing what you said you were doing— CONFRONTING and like that egyptian snail-shell that fiery cloud of eternal rêve.... it was a scorpion stinging itself upon the back that symbol of self-destruction and suicide slow as suicide choklit covered cuvvered and bivouac’d encamped upon the vanilla slope slowly melting underfoot wrinkling nights as if they was (slow prophets) pert noses a country adrift a cowboy be-spliffed drunken cow toss in the dead of night the dead ringer [unclear] around spoke doppel ganger they meet, and explode Life goes very fast in a vast slowness Life goes very slow in a minute fastness hold fast fasten....fast! IN a degenerate lockpick IT arrives aliens among the ruins the square stones unpocked but nonetheless ruins this nimble shadow that ate my comrades while we ran slowly with bloody fingernails Shot out from the mouth of a trumpet I got those coronet blues A darkling duck flies across the navy sky wings outstretched and vivid like a fleet of righteous bombers in a WW2 propaganda poster Floating nearby, Kubrick style a baby made of cirrus wispy – smoke by candlelight in a darkened chamber Four Fragments 1. I saw the dead rats of my generation swimming backwards into life On floating boards they scampered back into the murky bilge as the water seeped back into the sea.... 2. FIRE ON THE MOON either an announcement of an airless conflagration or an injunction to let loose the cannon upon the bearded pockets of desert in the sky 3. Freud! Freud! He’s our man, If he can’t do it, Jacques Lacan! 4. I’m just a gigolo And everywhere I go People always die around me I’m spreadin’ my disease While restin’ on my knees .... Lights go off around me It seems as if I have nothing more to say at least for now Just obliged to fill the cahier, Kerouac-style: allowing form to follow the limitations imposed upon it by the shape and size of the papyrus Not “Claire Fontaine” but “Calligraphe” -- Not something we will be inclined to romance Riot! 100% pure New York in Toulouse shrouded in the unintelligible it jumps boots and delegates furiously spuriously relegated to a back room curiously inflated by pride, nonetheless.... none the wiser more the merrier we shook hands and mumbled stark contrast to the punk rock shouts 1 hr 10 minutes of feedback underlay songs like “Don’t Kill Me” and “Urban Shock” until the cops showed up --classic-- gotta shut down the tunes by half 10 as though we were back in the village What village? any village that isn’t the fourth largest city of half a million <and Barcelona was not the egg it was cracked up to be> and my wife--my wife!—still harbors our egg until July It is developing normally and she has gained 7 kilos I don’t know if this is a lot or not but she still looks fine drinking mate with her middle finger up to her lips (is she flicking me off?) muttering over the dictionary and the ubiquitous forms curiously reflected in this....refusal....to grapple.... scenarios laid out.... ....an Opera of Figs (her legs smooth and well-formed) ....c’est la fille <interlude> Jowls quivering the Beast moves in trails of slaver leaving oil rigs upturned and burning pouring smoke upwards into the sky 49 Euros lying on the table “Somebody blew up America” in a manila envelope stuffed away and to think I only half-kidding called for the nuclear annihilation of the desert <it lies under the television> At 31 I should have already known better And I’m only 32 Once bitten, twice shy Fool me once shame on you Fool me twice shame on me I hope it is not true That you cannot teach an old dog new tricks But can you search an old dog for new ticks? Or break an old log into new sticks? Or plunge an old frog into new cricks? Powdered doo-doo Just add saliva Powdered wigs dripping the lard that holds the errant hairs in place August, 1786 We are burning hemp-rope upon the hematite blood-rocks pouring from wounds in earth giant smiley-head scream with the bullet wound as 3rd eye The arrondissement reeks of uncollected garbage And she takes me for more naïve than I am because she never asked “Did you ever?” And I never corrected her assumption that I didn’t Thus, after another moment uncorrected, or clarified I feel pangs of guilt having lied by omission And yet these aren’t the things you casually bring up out of the blue and expect her to laugh along with We are burning And the super fine chick with the dick-hardening shape turns to meat sliding off bone putrid puddle of green and red fly shit advancing into coagulated vomit finely-furred mould spores.... You’ve fallen in lust on a bed of spores (Old Buddhist monk trick to combat lust) But why not let the pecker rise? Why this track, now here? leave off with a slopatine slumber sliding backwards off slick backboard in the sea? A grand summation of all these Books = the Red and the Black the Blue ....will never come ....sounds too much like a pulverized face lying broken-teeth downwards among the excrement of a society with too much too spare Spartan reality forgotten like a cigarette butt with yet a few more tokes No matter if it’s before 10 there’s a Tabac right around the corner Buy blackened lungs for use as handbags puckered nuts as castanets throw de-brained heads to use as sandbags And tangled hair a seamen’s nets semen’s nest – tight and curlies that go “meow! meow! meow!” Walking.... at a pt. of discovery cars clashing a heavy wind falling about the heels letting windsocks drop: at inopportune moments: runners.... Jumping.... across railway runners guardrails are sermons.... What interesting conundrums by the canal.... cop cars and brazen sluts.... crouching sounds.... and rushing Russia jumps! (at bedposts) cold wall.... ....in brick <calm> sudden! and awake a bus passes.... ....squealing humming an outrage factored in motorcycle engines.... seasoned heart a pain in silhouette laid across the twilight fallow.... (she double-crosses at midnight) burning, squealing, a squeaking main.... gone.... like wind is gone.... ....with refugees (and her motorcycle is a casino Theresa!) <adhesives and robes....> sacra familia! cross with bells ringing wind rushes past delicate ears corn thrushes rushes eaves ....twilight (tin can rutting like pig along livid glass....) and how much do they cost these flowers (flowers) a hurling light sideward seeing along obstinate paths.... and flowers surrounding her perturbed head she is not angry bemused irritated disturbed to core but never angry the jumping crevecision the darkening incision she loves musicians and performances blues lick jump with kinetic hang a gramma w/ an electric poke It was a jumping night Chris calling his wife an idiot-jerk a whore a slut attempting to pry a privvied conversation between his wife and his friend.... ....threatening to make this visit his last.... ....as if it would matter.... this electric jerk a bad plug ....there are daughters in the house that Jean Cocteau and André Gide cannot touch an explosive television explodes truth by rendering the capitalist emission impossible to watch <it is the wind – and she is lovely> anger my lines render it null an obscure tomato a twilight patch of lilac an oasis dark and shimmering a translucent illusion in silhouette across a darkening sky pink-robed in crimson, -- violently nullified!!-- it is violet in noir (black) and purple! and the hunter vomits and the flannel cries and the pilot hunkers the navigator lies Jumping.... he has white space to hold up ‘gainst her spleen her victory a cough and heavy breath with a greek-sounding soundtrack in FRENCH! and with manacles rattling The TV Jumps the wind howls out the window an her snozz marches I am a window with phalanges climbing.... MOUNTAINS.... Fascist sympathisers claw Spain.... a trail of liberty which we may ride Poetry our refuge slinking anger @ lateness excused by a plume which marches....in the exquisite rattle of seagulls (machine-gun) <yet the tractor may call it after all> A snood A sleeping hat A shadow A tractor.... these are the refractory billabones of a high-fractured learnin’ high-falutin’.... yet strangely naïve.... Yes, and trumpets -- fall -- call ROUND bean with hoe-guard deliverance she sits calling gum-lords to sleep.... hoping to extract a vicious conundrum.... never knowing she has snared a giant by the crochet-hook of a minor vice.... She is a delicate horny toad leaping along the lanes of Armenia Avenue, hog-tied and broken by LSD encounters upon the Howards north of Kennedy “He is sideways” calls the child in Holocaust tiled room, cafeteria of dead-end deathcamp inane dull finiando.... She jumps Catalan hills with berets asunder breathing heavy in righteous anger the dry spore vomit of puff-puff and indigo – it spawns the spores of argent upon wrist hosting turquoise brave gem of flaming exquisite power.... banished now upon dark wing of impoverished embarrassment 1) it comes, regardless 2) you have nothing to do with it 3) she is lovely 4) and capricious delicious riptide of dream it happens at the long end of town where there is a hill a shopping mall and a bay Should it bear no mind to viking penumbrance of jackal- hide hindrance? I think not! SPOT delicious jumping upon brain-stem --she watches movie-- I record destinies in minutiae Americans do not like the betrayal implicit in communicating in a way beyond them There is publicity in small heads replicated an electronic stutter ON the television, a weird PUB addressing the problems of a youth who must learn French without parents who speak the language properly SUCH as we the delicate green bean among the smart flowers of darkness, decay, teeth rotten and slowness in learning Mash potatoes are a sign of <unclear> She can’t she can “sans papiers” they’re not important it’s all place.... SO, in closing there is an attempt to give a kid a language in which to learn the best comes from here or is translated.... ....and.... despite the mal miked rubber ball dropping on the slim-slide it is very hollow echoes are our desire our indication.... groans come from wind upon metal sheets like sails grunts from unappreciative kids who know, nonetheless, more about living than I do.... chofe .... running.... dipping.... And when sheep solid on habo·ma·jeem cream wetland upon froglegs of indigo....<repeated> ....we skip the wicked drawing and hope the last page is enough she rocks in flat boats launching into languid space.... with panic Her eyes have tears And yet, thru the jumping, there is laughter gaiety we cannot stand his tears because we are happy and also habituated.... A snake tail.... hanging She marks solid details and waits grows bored, fatigued WAITS! can you stand a hot wind?
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